人工智慧藝術悄悄闖入博物館，令參觀者百思不得其解！

Elias Marrow, an artist known for his unconventional approach, recently managed to sneak an AI-generated print into the National Museum Cardiff. The artwork, titled 'Empty Plate', features a digital image of a young boy in a school uniform, sitting on a chair with a book under his arm and an empty plate on his lap. Marrow placed the print in a custom-made frame and hung it on the gallery wall without informing the museum staff. For a while, hundreds of visitors passed by and viewed the piece, some even taking photos, believing it was part of the official exhibition. The museum staff were unaware of the artwork's presence until a visitor asked about it. The staff admitted they had no idea where the piece came from or when it had been installed. Eventually, the museum was alerted and removed the print, stating that it had been placed without permission.

Marrow explained that his intention was to represent the state of Wales in 2025 through his artwork. He was interested in exploring how public institutions, like museums, decide what is worth displaying and what happens when something appears outside their usual system. The artist used artificial intelligence to generate the image after sketching it himself, describing AI as a natural evolution of artistic tools. He believes that AI is here to stay and that restricting its use in art goes against his beliefs about creativity. Marrow emphasized that his actions were not meant to be disruptive or harmful. Instead, he wanted to participate in the art world without seeking permission, challenging the traditional boundaries of what is considered acceptable in public spaces. He has carried out similar stunts at other museums, such as the Bristol Museum and Tate Modern, none of which were officially approved or acknowledged.

Some visitors who saw the piece thought it might be a form of performance art, but quickly realized it was a guerrilla artwork—an unsanctioned addition to the gallery. One visitor from Ireland questioned why the AI-generated print was displayed without being labeled as such and approached staff, only to find that no one knew anything about it. Marrow said that the public responded positively, with many taking photos and engaging with the piece. The museum, however, maintained that the print was removed because it had been placed without permission. Marrow's actions raise questions about the role of technology in art, the authority of institutions to decide what is shown, and the possibilities for artists to share their work in new and unexpected ways. His story encourages people to think about how art can be created and displayed, and how new tools like AI might change the future of artistic expression.